On not working on Ultraviolence: I don’t wanna diss anyone. Not working on Lana’s second album, that’s like my sister, and we love each other. That was a massive move. I felt terrible. Before she got with Dan and it worked itself out, there were some tense moments. She got quite upset sometimes. It was painful for me to feel like I might be leaving her hanging. The beauty of the relationship that we have is she understood, and she knew what I was dealing with, she knew I had to do what I had to do, and she was so supportive the entire time.
We met years ago just to make tunes, and now it’s become so much more than that. This is her album, this is her baby. She just knew on a friendship level what I was doing and she didn’t get bummed. She sang a song on my album. She would come in and listen to my album and give me all this great advice.
Thank God for her. That was trying. It was right at the beginning, I didn’t know what I was doing at that point. She had her songs written. She wrote her entire album. It was a production. That’s Lana, she does that. Lana doesn’t do the generic co-write thing, Lana sat and wrote her songs. I just knew I had to write, and it wasn’t a writing gig with her—it would be a producing gig. I had to write, I had to write. It didn’t matter if the songs got produced and never came back, I had to write. I would’ve went crazy if I didn’t.
Lana Del Rey on Emile stepping out as a solo artist: “The best thing in the world is to see someone who always facilitates things for other people get to create something that comes from their own heart or aesthetic.” she says. “I couldn’t believe when I heard his record—it was so good! I was really proud.”